A comedy with something to say
Relatable failure. We laugh because we recognize the desperation to be “someone” in a world of social media noise — and the film holds up a mirror to it.
Dark Park Studios · Scene 1 · Take 47
Best with sound on. Contains camera flashes.
Dark Park Studios presents
Dream Big. Film Small. Cry Later.
Move the light · Click to shoot · Poke the bubbles
Dark Park Studios presents
SC.02 · The elevator pitch

Two struggling actresses navigate the absurd world of micro-budget filmmaking, social media survival, and mental mayhem aboard a cruise ship “set.”
They discover that chasing dreams in Hollywood means drowning in bad scripts and identity implosions — all caught on camera.
SC.03 · The location
SC.04 · Cast of chaos
TAKE 01
CUT!
The Hustler
played by Monika Ekiert IMDb
★ Hollywood legitimacy · Scenes in the can
A Polish immigrant living on borrowed time and a tourist visa. She hustles every angle — from influencer gigs to $20 roles — to stay afloat in a city that devours dreamers.
SC.05 · The meta-narrative
Synopsis
Reese is a mother clinging to acting as her last lifeline to identity — while her marriage frays and her adopted daughter struggles. Agata is a Polish actress living on borrowed time and a tourist visa, hustling every angle from influencer gigs to $20 roles.
When Lala, an overzealous indie filmmaker with delusions of grandeur, invites them aboard a cruise ship to make “art”, both say yes. What she delivers is a series of bizarre, low-budget melodramas — cringe-worthy scripts, questionable direction, iPhones and a crooked green screen.
Between forced fun on deck and breakdowns off camera, the shoot becomes a spiral into humiliated vulnerability — and a mirror to the loneliness of social media and the hustle culture of Hollywood.
SC.06 · Genre & audience
Dark ComedySatireMockumentary style
The hook Relatable failure. We watch because we recognize the desperation to be “someone” in a world of social media noise.
Target audience — fans of
SC.07 · Why this film
A crowd-pleasing comedy with a sharp point of view — the kind of film audiences quote, share and recognize themselves in.
Relatable failure. We laugh because we recognize the desperation to be “someone” in a world of social media noise — and the film holds up a mirror to it.
Eric Roberts anchors the cast, bringing global recognition and distribution value to the project.
A real cruise ship as the stage: sunsets, luxury decks, casinos and open ocean — a world that looks and feels cinematic.
Written and made by filmmakers who know the absurdity of the business first-hand — an authentic, international story shot between Los Angeles and Ensenada.
SC.09 · Download materials
SC.10 · Open call
The film is 80% shot. We’re looking for partners to help us finish it and bring it to audiences — financially, creatively or on screen. If you see yourself below, let’s talk.
Production companies ready to share the voyage, creatively and financially. International co-productions welcome.
Private investors and equity partners looking for a high-concept comedy with a lean, efficient budget.
Public film funds, grants, tax incentives and development support.
Sales agents, distributors and streaming platforms for worldwide and territorial rights.
Cruise, travel, beauty, fashion and tech brands that want a role on screen — ideally not taped to a tripod.
Festival programmers, press and media partners who love a good behind-the-scenes disaster.
Tell us who you are and what you’d like to bring — we’ll get back to you with the details.
The comedy we all create while the world attempts to break us.